Few people could actually say they were born with the blues in
their blood but Michael Burks was one
of them. He was literally surrounded by the blues his entire life. His father
was a bass player and his grandfather was an acoustic guitar delta blues
musician. This lifelong involvement in the blues sure hasn’t done him any harm.
‘Show of Strength’ is Michael Burks’ fifth studio release and
I feel his best.
‘Show of Strength’ is filled with guitar dominant blues
backed by the basic line-up of drums, bass and keyboard. Michael recorded both the
rhythm and lead guitars. This is the sound I expect from his label Alligator Records that has released
albums from Albert Collins, Buddy Guy and Lonnie Mack. While Michael’s
screaming guitar playing is what quickly attracted me to this album, I can’t help
but appreciate his deep, raspy voice which is almost essential to blues from
down south.
Burks opens the album with ‘Count On You’ with his voice
sounding a little nervous and his guitar playing not quite as risky as I’d
expect; however he still manages to turn it into a catchy number. It’s like a
warm up for what is to come. When he breaks into the second track ‘Take a Chance
on Me, Baby’, he seems to be warmed up just fine. There was noticeably more
growl in his singing and more snap in his guitar. This song has everything that
I’m looking for in the blues. A slow drum beat with heavy bass backing up solid
guitar fills after every line Michael Burks snarls. The organ combined with
the keyboards faded in the background gives it a very full sound with minimal
instruments. Michael approaches this song similar to how B. B. King would. No guitar
while singing and following up with snazzy guitar riffs after each line that
just blow you away.
Michael co-wrote ‘Take a Chance on Me, Baby” as well as four
more of the twelve tracks on this album and these songs stood out as the best
five on the album. He seems to be at an entire different comfort level playing songs
he had a hand in writing. In all of these original songs he’s more opt of
hitting the higher notes and also letting his great raspy growl out into the
front where it belongs.
Michael keeps mixing things up in this album and never lets
it get too repetitive. Whether it be him playing lead guitar along with his
vocals (purple haze style) in the song ‘Cross eyed Woman” or simply adding the
bluesy harmonica that fit so well in ‘Little Juke Joints’, I never got bored.
This album’s producing was shared between Michael Burks and Alligator owner Bruce Iglauer. Bruce is
heavily involved the producing of most of the albums that have been coming from
Alligator and his passion for perfection has only grown over the years. This
album sounds great!
Unfortunately Michael died of a sudden heart attack between
the end of recording this album and its release. What a sad end to a great album.
Michael Burks really seemed at his prime while recording this and it’s
sad that we will never know what else he had up his sleeve.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.