Blues/Rock musician Ross Neilsen is in the process of releasing
his sixth studio album. Ross is a staple in the East Coast music scene and is a
favorite of many Maritimers. He is known as Canada’s hardest working blues rock
act and rightfully so with hundreds of performances a year and a steady stream
of new music becoming available. I am
always looking forward to hearing what Ross has in the works and he was nice
enough to sit down and give us an update as well as revisit his past releases.
Maritime Vinyl (MV)- Let’s
talk a little about your previous CD releases. Did you produce your first album
Where I’m From?
Ross Neilsen (RN) - No I didn’t produce it but I released it.
It was produced by James Gauthier who also did Early Grave. Where I’m From
was co-produced by James but all the band stuff was produced by Joel Leblanc
from Hot Toddy who was a huge
influence on me. Joel was my first tangible guitar hero, the first guy I could
actually talk to. So it was cool having him involved. It was a lot of fun for
sure.
MV - So tell me a
little bit about Thorny Bleeder (label that Early
Grave and Redemption was released
under). It is my understanding that they used to be a label but they are now
kind of just consulting independent
artists?
RN - There is a band out there called Art of Dying who Brian (owner of Thorny Bleeder) used to manage.
They are all good buds from Vancouver. They toured Europe, did a lot of
touring. So when they came back he (Brian) eventually helped get them signed by
Warner Records. Before they got signed they were using Thorny Bleeder. They
started the record company, the three of them, two of the members of the band
and Brian who was managing. So Brian was the managing partner of the record
company basically. They started signing and distributing acts, coaching and
managing. Brian and I have known each other since the early 90’s, we worked
together at a record store in Kelowna. He contacted me out of the blue one
night and asked if I wanted distribution. I said ‘sure’. Fast forward through
many conversations and we ended up signing a deal together. He signed on Early Grave, rereleased that one and then
released Redemption.
MV - So you had
originally released Early Grave yourself?
RN - Yeah originally it was released in 2007 and then
rereleased in the fall of 2009 just before Redemption
came out in the spring of 2010.
MV - Is Thorny
Bleeder not a label anymore?
RN - I don’t think so. They haven’t signed anything for a
long time and I know Brian is more of a consultant, public speaker and kind of
a coach/mentor right now. He’s got the “bleeder blog”. He also does the “DIY
daily” which is a daily newsletter for music tips. He also does a couple of podcasts
a week which are full of tips and good info for musicians that are starting out
and finding their way. Not just musicians but people.
MV - So after Redemption you recorded The Shack Up Sessions.
RN - Yes that one is self-released and the new one is likely
going to be self-released unless somebody starts crawling out of the woodwork
to release it which in this day of age is unlikely.
MV - Redemption and The Shack up Sessions were recorded in Mississippi. What brought
you to recording down south?
RN - The Zebra Ranch
is a studio that belonged to a guy named Jim Dickinson who is a legendary Memphis
producer. He produced Big Star and The Replacements. He is the piano player on
Wild Horses by the Stones, he played with Bob Dylan, he produced Albert King,
Aretha Franklin, and tons and tons of classic shit. He was kind of a guru in
that era. Anyway, he was going to produce the album for us. His sons are in a
band called the North Mississippi All
Stars based out of Memphis. I’m a big fan of theirs so that led me to Jim’s
production. I emailed him and he said that he would do the album. Then he ended
up passing away before we could get down there and do the record. So his son
Cody, who is a Grammy nominated producer in his own right, offered to do the
sessions for us. So Cody picked up the ball and we kind of went down and did
the album as planned. And that’s in Independence Mississippi, maybe an hour
from Memphis.
MV - Did he produce The Shack Up Sessions too?
RN - No, I did that one myself. The engineer that did Redemption is a fellow named Kevin
Houston. He is like a super engineer man. He is so good and so fast. So last
year in February I went to the international blues challenge as a solo artist
and afterwards I went down to Clarksdale and rented a cabin for a couple of
nights. Kevin came down with his stuff.
I rolled in on super bowl Sunday, Kevin came in Monday morning, we set up,
tracked Monday afternoon and Tuesday morning and by Tuesday afternoon at supper
time it was mixed and done.
MV - So what is the
new album called? Is that public knowledge yet?
RN - Yeah, the new album is called Resurrection.
MV - Are any of your
previous producers involved in Resurrection?
RN - Not for production. The new album is produced by Anders
Osborne and Warren Riker. Warren’s resume is stupid, he has won multiple Grammy’s
and sold over 40 million albums with his name on it. He produced the Fugees’
first album, Lauryn Hill’s big album, he has worked with Michael Jackson and a wicked
band called Down. He has done all
kinds of different shit. So that was a new team for us for this one. We went
with them because I’m a big Anders fan, wanted to work with him. I sent him and
email and he said ‘sure!’
MV - So is this why
you ended up in Louisiana for this album?
RN - Yeah. He lives in New Orleans but when I contacted him
there was a studio about two hours from him called the Dockside Studio which is
an amazing place. Their recording roster is stupid; B.B. King, Dr. John, Derek
Trucks, Fogerty, Arcade Fire, it’s stupid there is so many people who have been
in there. There is another guy, Clarence “Gatemouth” Brown who is a Verve recording artist, through various
labels as well. He recorded at Dockside religiously. A really cool place stuck
in a 10 acre kind of compound. Very isolated. You move in, you live there and
you make records. It’s a really great spot.
MV - So you were
there for about a week. Isn’t that quick for recording an album?
RN - We tracked and mixed in eight days. I guess it depends
on who you ask about how quick. We did Redemption
in five.
MV - When you and
your band are recording, are you recording live or track by track?
RN - This album we did both. For Redemption we recorded all live off the floor, everything.
MV - That’s’ great. I
am a big David Briggs (Neil Young producer) fan…..
RN - Oh yeah, Briggs is a constant mental inspiration.
Actually with Redemption, that was
kind of the mindset we went with. We wanted a live off the floor album that
sounded like our live shows. This album we tracked everything as a trio, vocals
and trio parts live off the floor, but then went back and I added guitars and
backup vocals, a solo here, that kind of stuff. The core of the album and I
think all of the vocals except two tracks are live off the floor.
MV - So The Shack Up Session was just you and a
guitar. How did that compare to recording with the Sufferin' Bastards?
RN - Actually Shack Up
is (recorded) very similar to redemption in the sense that for Shack Up I set up my live set up. My stomp
box, guitar and vocal. We mic’d the guitar, we mic’d the room, plugged the
guitar into an amp and I just played and recorded live off the floor, no
overdubs on that at all. Redemption
is recorded the same way but as a trio album. Actually Cody did do a couple of
overdubs on keys actually on that but that’s it.
MV - On twitter you
posted a picture from your trip down south playing Duane Allman’s guitar he
used in Layla! How did you pull that off? I’m thinking that guitar is something
they usually don’t just let people play.
RN - Yeah, we took a detour on the way to Louisiana down
through the eastern seaboard and went into Atlanta. I’m an Allmans Brother
fanatic and there is a museum there. So we went and we were going through the
museum. They opened the museum for us an hour early because we were kind of
timed and rushing and stuff. So we ended up going through the museum and the
woman who let us in, I asked her as a joke:
“So do you ever let anybody play that guitar?”
She’s like “No, well we do take it out sometimes’.
“Really??”
She was like “On the road… to people like Vince Gill and
Warren Haynes”.
“Oh…”
So then I went outside at the end of the tour to grab a
bunch of CD’s to give to people and stuff since they were really nice to us.
There are a lot of volunteers that work there and I just wanted to give them
something. I was talking to the archivist and one of the board members outside
when they were having a smoke. So I gave them a CD and it was the board members
birthday. He was really excited for the CD. So I ran back to the van to grab a
couple more Shack Ups. When I got
back to them they had seen that Cody Dickinson had produced Redemption and it listed the all-stars
involved in Allman Brothers stuff. They knew Cody’s name and their eyes were
lit up. So we were shooting the shit more and the archivist said to the board
member that “You’ve got to let him play that guitar.”
That guitar is worth $500,000 supposedly. So the archivist
was like:
“Do you want to….”
“Yes! Whatever you are about to say I definitely want to!”
So we went back inside and they pulled it out.
This is when they first gave it to me. I was trying to be
cool and not gush and cry and stuff.
So right after that, then the archivist was like “If you
have 10 or 15 minutes hang on”. So they went and got this DVD of footage that
they had just found. The only other people who had seen it was the Allman
Brothers band, they had a private screening. They put it on the DVD player for
us and let us watch like 15 minutes of live footage of when Duane was alive
playing that guitar. I was in awe. It is actually the guitar, now I can’t stop
dreaming about it, he recorded the first two Allman albums with that guitar,
but he also recorded the Layla and Other
Assorted Love Songs sessions with that guitar. So now every time I hear
Layla on the radio I’m like “I played that guitar!” It blows my mind. The
greatest moment of my life.
MV - So what can we
expect Resurrection to sound like? Similar
to Redemption?
RN – No, it’s actually different than that. It’s less bluesy
and more rock. I’ve been describing it as Neil Young meets the Allman Brothers
meets Green Day. If you can imagine that.
MV - Let’s end this
off on a collectors note. Are you a collector?
RN - Yes I have a large CD collection. Probably a thousand.
I’ve been trying to transfer them onto my computer but it is slow going. Mainly
because I haven’t listened to 99% of the CD’s in so long. I buy a couple of CD’s
a week still for sure.
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