While it may not star Ziggy Stardust or contain any hit tracks
later covered by Nirvana, Low is
considered by many as one of David Bowie’s best works and rightfully so. This
is Bowie’s eleventh studio album and was released in 1977. David was not a
happy fellow during the making of this album having just moved to Berlin to
escape his cocaine habit he gained in Los Angeles.
While David was overcoming his addiction he was going
through the emotional rollercoaster that all former addicts are so familiar
with. He worked on songs that he was planning to use as the soundtrack to the
movie “The Man Who Fell To Earth” in which he had the starring role. The
director did not think the proposed songs would fit the movie well and instead went
with folk singer John Phillips (formerly of The
Mamas and the Papas). Bits and
pieces of these movie compositions ended up throughout Low. This album was so closely related to the movie that they even
share the same cover.
The entire second side of this LP contains instrumentals
written by David Bowie and Roxy Music’s Brian Eno. This is not the only David
Bowie album that Brian Eno contributed to; actually it is the first of three in
a row dubbed the Berlin trilogy, the others two being Heroes and Lodger. This
duo attack this music using synthesizers and keyboards helping to label it
under electronic music but fortunately it is not as dated as other electronic
music that was released in this era.
Low is often credited to being produced by Brian Eno, but
this is not true. It was produced by Bowie and Tony Visconti who together
coproduced many albums throughout Bowie’s career (including the other two Berlin
trilogy albums: Heroes and Lodger).
This album took a little more work for me to get interested
in compared to other Bowie albums but really grew on me over time. It’s one of
those albums that I catch something new in every listen. Over time I now see
myself reaching for Low more often than any other Bowie LP.
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