I’m always excited to find Johnny Cash records when hunting
for vinyl and luckily in a recent dig I found a copy of the single Orange Blossom Special. Having only been
familiar with Johnny Cash’s live version of this song on the At Folsom Prison LP, I was excited to
hear his studio recording of this song.
Orange Blossom Special
was written by Ervin T. Rouse in 1938 and originally recorded with Ervin
and his brother Gordon Rouse in 1939. People like me who are only familiar with
Johnny Cash’s version know it as a harmonica heavy song. The original, however,
was recorded an instrumental with the fiddle as the lead instrument even though
Ervin had written lyrics. This original version is also quite a bit faster than
Cash’s version, making it a pretty catchy bluegrass number. The fiddle imitates
the sound of a train which I’m sure played a part in Cash covering the song,
hence the whole “steady as a train” style he will always be remembered for.
On the At Folsom
Prison live version Johnny Cash continuously blows two harmonicas from left to right up
the scales back to back, there was no real skill in this harmonica
playing but it was the novelty effect that was appealing. In this studio
version, the harmonica is played much more complex (played by Charlie McCoy
rather than Cash) and it gives it a more detailed sound.
Along with the harmonica, there is a saxophone present being played
by Boots Randolph. Boots was well known as a part of the Nashville sound,
recording with artists such as Elvis Presley, Roy Orbison, Jerry Lee Lewis and
even REO Speedwagon. I wasn’t familiar with Boots’ work until I recently picked
up a few of his albums in a collection which coincidentally also included this Orange Blossom Special single. It’s
funny how I never hear of someone like Boots and then his name turns up
continuously.
This is the American pressing label (not my copy). The Canadian label is identical except the color.
This is an original 1965 Canadian pressing of the single
with Cash’s All Of God’s Children Ain’t
Free song on the ‘B’ side. Columbia used this orange label starting in
1960. Aside from the color, this label is identical to the red US label used at
this time. In my collection, the only thing better than an original pressing is
an original Canadian pressing! It may not be a rare single, but important nonetheless
being one of Johnny Cash’s best covers and most well-known songs.
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